What’s Below Reflects Above

He lowered himself into the tunnel beneath the street. No, this day wasn’t usual, but neither was this murderer. Detective Caleb Ryker grunted as his boots hit the damp concrete below. The reek of mold and something long-dead clung to the air, turning his stomach. He tugged his coat tighter around him, more out of habit than warmth—no coat in the world could block out this kind of cold.

The access tunnel had been pried open earlier that day by a sanitation crew who’d found something their job descriptions never prepared them for—a man’s body, stripped bare and laid out with surgical precision. Organs arranged in a semicircle. Eyes placed delicately in the palms. The fourth body in three weeks.

Ryker clicked on his flashlight. The beam cut through the gloom, catching movement—just rats, fleeing into the dark. He exhaled through his nose, lips pressed in a line. The press was already calling him “The Ritualist.” Lazy name, but not wrong. Every victim had been positioned the same way. Every scene had the same message carved into the nearby wall: “What’s Below Reflects Above.”

He moved deeper into the tunnel. The floor sloped downward, and the stink intensified. The low ceiling forced him to hunch. Dripping water echoed like a ticking clock.

“Ryker, you copy?” His partner’s voice crackled through the comm clipped to his collar.

“Go ahead, Lena.”

“You’re sure you want to go in alone?”

“You know I don’t believe in backup until I’ve got something to point a gun at.”

There was a pause. Then: “Just don’t be a hero. We’ve already got four victims. I don’t want to add you to the list.”

He smiled faintly. “Noted.”

They hadn’t told the public everything, of course. The part about the victims all having the same birthday—September 9th. The part about the organs being removed without damage, as if someone knew the human body better than most surgeons. Or the fact that each body had been found closer and closer to the center of the city. Like a spiral tightening.

He paused at the edge of a larger chamber. His flashlight scanned the space. The walls were old—older than any public works project should’ve been. Stone, not concrete. Carvings, not graffiti. Strange symbols that looked like a fusion of Norse runes and mathematical diagrams.

And then, in the middle of the room—there it was. The fifth body. This one was different. Female, early twenties. Her expression was peaceful. There was no blood. Her organs were intact. But her chest had been cut open and stitched back shut, not arranged like the others. Ryker knelt, eyes narrowing. This felt wrong. Not just gruesome—wrong in a way he couldn’t explain.

“Lena,” he whispered into the comm. “You need to see this. And bring Forensics. We’ve got another one.” No response.

“Lena?” Static.

He stood, pulse quickening. The comms was dead. Either the walls were interfering with the signal, or something else was. A faint sound echoed behind him—metal scraping stone. He turned sharply, light slicing through the dark. Nothing. But then he saw it.

A shadow moving without a source. Just a slither of black across the far wall, rippling like smoke underwater. It stopped as soon as the light hit it. Vanished. Ryker swallowed. This wasn’t just a murder investigation anymore. This was something else.

He backed away from the chamber, only to stop as he caught sight of something he’d missed before—on the far wall behind the body, just barely legible beneath layers of grime: the same message, freshly carved.

“What’s Below Reflects Above.” But this time, there was an addition. “And Above Is Already Cracking.”

Ryker stepped back from the inscription, every nerve in his body taut like piano wire. The addition to the message nagged at something half-remembered—an old case file or an offhand remark from a profiler. He couldn’t pin it down, but it wasn’t new. Something was watching him.

He turned slowly, not with the panic of prey, but the calculation of a man who’d stared down death before and made it blink. The beam of his flashlight cut through the shadows again, revealing only stone and stagnant air. But the feeling remained.

Behind him, the dead girl lay like a whisper, stitched shut and waiting. He forced himself to crouch beside her again. Something about the surgical work gnawed at him. Too clean. Too controlled. Whoever did this had time—and confidence.

He looked more closely. Her hands were folded over her chest, fingers curled, but her nails were painted—chipped red polish with tiny gold stars at the edges. He’d seen that once before. It wasn’t in the autopsy photos, but it was in his notes. Victim #1 had the same polish. He cursed under his breath. They had missed it. All of them. The girls weren’t random. They were connected.

His radio clicked softly. Static. Then Lena’s voice. Warped, faint. Like it was coming from a long way off.

“Ryk—there’s—need—you to s—above—the light—it’s—” Static again.

“Lena? Repeat that. I didn’t catch—Lena?” Nothing.

He stood. Every instinct told him to go back, but he took one last sweep of the chamber before retreating. His beam caught something he’d missed earlier—a small object wedged into a crack between stones. He pried it out. A gold earring. Delicate. Shaped like a crescent moon. He pocketed it and made for the surface.

The street above felt like a different world. Blindingly bright. Noise everywhere. Sirens in the distance. People shouting. The sudden return to reality felt jarring, like stepping out of a dream mid-fall. He pushed through the gathered crowd and ducked under the yellow tape. Officers nodded him through. Lena wasn’t there. He checked his phone. One missed call from her. No message.

“Detective Ryker!” He turned. Officer Graves jogged toward him, face pale.

“You better come quick.”

They stood in front of the burned-out remains of a corner bookstore two blocks from the tunnel entrance. Fire crews were still hosing it down, steam rising like ghosts into the afternoon air. Ryker frowned.

“What am I looking at?” Graves pointed toward a group of onlookers across the street.

“Lena was here before it went up. Said she was chasing a lead. One of the victims used to work here. She went in—and then boom. Place lit up like kindling.”

Ryker’s stomach dropped. “Is she okay?”

“She’s alive. Shaken. Couple burns. Paramedics took her to Mercy General. But here’s the kicker—before she went in, she told me to look in the basement. Said there was a hidden room. She was convinced this bookstore wasn’t just a bookstore.”

Ryker stared at the scorched remains, something dark curling in his chest. He didn’t believe in coincidences—not four ritual murders, a hidden chamber, and now a hidden room in a bookstore connected to the victims.

He turned to Graves. “Did you find anything?”

Graves shook his head. “Not yet. Basement’s unstable. Too hot to get into safely. But fire marshal said it looked like something was already burning down there before the upstairs caught.”

“So someone wanted it gone,” Ryker muttered.

“Yeah. Or buried.”

Later that night, Ryker stood in the hospital hallway, listening through the glass to Lena argue with a nurse. She was sitting upright in bed, her dark curls a mess, bandage on her cheek, fury in her voice.

“I don’t care if he’s ‘not allowed’—tell him to get in here before I walk out!” The nurse glanced toward Ryker, already recognizing him. “I’m going to pretend I didn’t hear that,” she said, then pushed the door open and waved him through.

Lena locked eyes with him. “We need to talk.”

Ryker pulled a chair over and sat. “You first.”

“I found a journal.”

He blinked. “A journal?”

She nodded, digging into her bag beside the bed. “Wrapped in oilskin. Hidden behind a loose brick in the basement. It was still warm, so I grabbed it before the fire spread.”

She handed it to him. The cover was cracked leather, old. The spine had a symbol burned into it—three intersecting lines forming a spiral. He’d seen it once before. On the wall of the first crime scene, faint, like it had been washed away.

“Whose was it?” he asked.

“Belonged to the owner. Evan Mallory. Same birthday as the victims. September 9th. His body’s never been found—but he’s been presumed dead for two years. House fire.”

Ryker flipped the journal open. The handwriting was small, frantic.

They’re coming from below. I hear them in my dreams. The spiral is tightening. The city isn’t built over something dead—it’s built over something sleeping. Something we woke up. And it remembers us.

He looked up at her.

Lena’s voice was low. “There are more victims, Caleb. Ones they never found. This guy tracked them. Said they were part of something called ‘The Ninefold Echo.’ A kind of cult—but older. Way older. Before the city. Maybe even before the settlers.”

Ryker’s throat felt dry. “Why haven’t we heard of this before?”

“Because every time someone starts asking questions,” she said, “something burns down. Someone vanishes.”

She leaned in. “And I think Mallory was trying to stop it. I think he started the bookstore to watch the people being drawn in. All of them had the same birth date for a reason. September 9th isn’t random. It’s part of a pattern.”

He nodded slowly, adrenaline creeping back into his bloodstream.

“So what’s the next move?” she asked.

Ryker closed the journal, his jaw set.

“We go deeper.”

The subway tunnels beneath District Seven had long since been decommissioned, swallowed by new infrastructure and sealed behind rusted iron gates. But Ryker knew the city best kept secrets underground. He moved through the skeletal remains of the platform, flashlight trembling slightly in his hand. It wasn’t fear—not yet. It was the pressure. Like being watched by a thousand unseen eyes.

The deeper he went, the colder it got. Old tiles shed dust with every step. Faded graffiti whispered stories in languages no one spoke anymore. He paused at the edge of a corridor, studying the markings etched into the walls. Circles. Spirals. Interlocking triangles. The same pattern that appeared on the journal spine and the walls of the murder scenes.

He knelt and traced a symbol with his gloved fingers. It had been carved deep, not with modern tools—more like etched with stone or bone. Below the pattern were three words, barely legible beneath soot:

“Nine Folded Once.”

He didn’t understand it, but the phrase pulsed behind his eyes like a forgotten memory. A soft sound behind him made him rise fast, gun drawn. Footsteps. Just one set. Then silence. He turned. No one.

But when he aimed the flashlight back down the tunnel, something had changed. The spiral graffiti wasn’t behind him anymore. It was ahead of him—on the opposite wall. Had he turned around? No. He was sure he hadn’t. Something was toying with him.

Back in her hospital bed, Lena stared at the ceiling, the journal open on her lap. She hadn’t told Ryker everything. Not because she didn’t trust him—because she couldn’t yet trust herself. Her hands trembled as she flipped to the page she’d hidden between two glued sheets, a trick she’d learned in fieldwork years ago. Mallory’s final entry wasn’t written in ink. It was in blood.

To stop the spiral, one must go inward. The murders are echoes, sacrifices. The Ninth is always the key. Born on the Ninth, chosen by the Ninth. Each cycle begins anew. The Echo needs a mirror, and it’s found one. In him.

She closed her eyes. The word him was underlined. She didn’t want to believe it. Couldn’t. But the journal mentioned Ryker. Not by name directly—but it described a man matching his profile, his transfer to the precinct five years ago, the death of his wife, the insomnia, the tunnel dreams. He’d been dreaming about the tunnels long before the murders started. And somehow, he didn’t remember that.

Underground, Ryker reached what looked like an old maintenance chamber, sealed by a reinforced door. Faded paint spelled out Zone 3-B: Civic Utility Access. Someone had welded it shut long ago. Except now, the welds were melted through. He pushed the door open, and the darkness behind it swallowed the light.

The chamber was massive, circular, built in an era when stonework was still an art form. At its center stood a platform, slightly raised, with grooves cut into the stone floor like channels for draining—or guiding. The same spirals covered the walls here, but these were painted in something darker, glossier. He stepped forward. His boots echoed across the stone. In the center of the platform sat a chair. Not a throne. Not a torture device. Just an old wooden chair. Simple. Ordinary. Too ordinary. It was the only thing not covered in dust.

As he approached, a cold wind stirred the air, though there was no source for it. Then a voice. Low. Feminine. Barely above a whisper, yet it filled the chamber like thunder in the mind.

“Welcome back, Caleb.” He spun, gun up, but the room was empty. No sound. No movement. The chair creaked. Not just an echo. It moved. By itself. He didn’t run. He wanted to—but his legs refused. His body felt miles away, as if he were moving inside a dream, following a script written by something else. He took a step forward. The air changed—like stepping through a veil. Cold became warmth. Darkness became memory.

He was eight. Sitting in his mother’s basement. She was crying upstairs. Father gone. TV flickering static. The door to the furnace room cracked open. A voice whispering his name.

Caleb.

He blinked, and the memory vanished. He was still in the chamber. But the walls were closer now. Or maybe the room was shrinking. He staggered back. This wasn’t a murder scene. It was a ritual. And someone—or something—was trying to pull him into it.

Lena’s phone buzzed on the hospital tray. She didn’t recognize the number, but she answered anyway.

“This is Detective Marlowe.”

The voice on the other end was gravelly. Male. Shaky. “You need to get him out of there.”

She sat up. “Who is this?”

“The chair. The spiral. The Ninefold Echo—it doesn’t kill. It copies.”

The line went dead. Lena stared at the phone. Copies? She opened the journal again, flipped to a page with a diagram of overlapping faces—nine faces, all variations of the same man. Some older. Some younger. Some distorted, monstrous. The Echo doesn’t destroy. It duplicates. Replicates. Possesses? She cursed aloud and grabbed her jacket, pain flaring in her side. Ryker didn’t just find the center of the spiral. He was the center.

Ryker stared at the chair. The wooden frame groaned softly, though there was no breeze. No movement. Just the sense that it was waiting. His flashlight flickered. Once. Twice. Then it died. Darkness swallowed everything. Ryker’s breathing quickened. He tapped the flashlight, shook it. Nothing. He reached for his phone—its screen blinked to life for a second, then went black with a hiss of static. Then a faint, low hum filled the chamber. Not mechanical. Not natural. A resonance. Like a note played on an ancient instrument, buried under centuries of silence. And beneath that note, whispers. He stumbled backward and hit the wall. The stone was warm, too warm.

He spun, running his hand across the surface—and felt shapes carved into it. Familiar. Faces. Dozens of them. Mouths open, locked in silent screams. He jerked his hand away. The humming grew louder. The chair creaked again. And suddenly he knew. This was where it started. This was where they brought the Ninth.

Lena raced through the municipal archives building, limping slightly, coat flapping behind her. The night clerk gawked as she flashed her badge, then barreled past him into the elevator. The journal had referenced blueprints. Hidden ones.

Basement Level 2 had an unscanned archive: original civic engineering documents from the early 1900s, long before digitization. If there were records of these chambers—of the “Ninefold” designs—they would be here. She flipped through dusty drawers, choking on old paper and mildew. Finally, she found it.

CITY CAVERN SYSTEM—PROPOSED RITUAL SITE BENEATH 7TH & RAVEN

Her blood ran cold. There was a name on the blueprint. Project Overseer: Evan Mallory. She pulled out her phone and snapped photos of everything, hands shaking. And there—scribbled in red pencil on the corner of the final page—were two words.

It remembers.”

Back underground, Ryker tried to move, but his legs wouldn’t obey. His arms felt heavy. Breath shallow. The chair called to him. Not in words. In memory.

He was seventeen. His best friend saved him from almost drowning in a lake outside the city. He never spoke of what he saw beneath the water—only that he came out changed. The nightmares started a week later. And when that friend vanished months later, all Ryker found was a journal. Spirals. Numbers. Symbols carved into the margins. He had forgotten that. Or something had made him forget. The humming crescendoed. And in that moment, Ryker saw himself. Not reflected in a mirror—but multiplied. Nine versions of himself. All standing around the chair. Some smiling. Some weeping. One screaming maniacally, covered in blood. He blinked—and they were gone. The chair sat empty. But not alone.

At the far end of the chamber, something stepped forward. Not a person. Not a shadow. A version of him. Eyes hollow. Face slack, like a mask only half-formed. It raised one hand—and pointed. Sit.

Lena burst into the command center at Central Precinct, a handful of blueprints and the journal clutched to her chest. Captain Wilkes stood from his desk, startled. “Jesus, Marlowe, you look like hell.”

“I need every available unit near 7th and Raven,” she said, slamming the journal down. “There’s a chamber underground. Ryker’s in it. And he’s not alone.”

Wilkes frowned. “You’re not making any sense.”

“He’s part of something. Something old. It doesn’t just kill—it copies people. Uses them. There were nine original chambers. Nine people born on the Ninth. But this cycle—it didn’t finish. Someone interrupted it last time. Now it’s starting again.”

Wilkes looked pale. “You’re talking about cult stuff?”

“No. I’m talking about something worse.” She met his eyes.

“I don’t think it’s trying to hurt Ryker, it’s trying to become him.”

In the chamber, Ryker fell to his knees. His thoughts were unraveling. His name, his memories, the boundaries between what he was and what he’d done—it all blurred. The echo-thing stepped closer. It opened its mouth—and his voice came out.

“You saw it too. In your dreams. The spiral. The chair. The city above breaking apart.”

Ryker gritted his teeth. “You’re not me.”

“No,” the thing said. “But I will be. Soon.”

It pointed to the wall—where a new carving had appeared. Fresh. Still wet.

“The Ninth has returned. The Echo is complete.”

Ryker reached for his gun, but it was gone. Laughter echoed around him. The versions of him reappeared, circling the chamber now, eyes glowing faintly in the dark. And in the center, the chair waited.

Lena and two officers forced open the tunnel gate with industrial cutters. She led them through the same winding path Ryker had taken, flashlight sweeping across old graffiti and ancient markings. And then she saw it—blood on the wall. Fresh. They reached the open door to the stone chamber.

“Ryker!” she shouted. Her voice vanished into the dark.

Then a whisper echoed back. “Lena…”

She turned to the officers. “Wait here. If I don’t come out in five minutes, seal the door.” They started to argue, but she was already inside. The darkness swallowed her.

Ryker sat in the chair. He didn’t remember moving. His limbs didn’t feel like his own anymore. Around him, the copies began to hum in unison. The spiral above him—cut into the ceiling—began to glow faintly. The thing stepped forward, now wearing his face perfectly. But Lena’s voice cut through the chant like a blade.

“Caleb!” He looked up. The copies froze. The thing turned, hissing. And for the first time, Ryker saw fear in its eyes. He reached inside himself. Past the memories. Past the confusion. To the thing that wasn’t part of the spiral. The truth. He wasn’t just born on the Ninth. He was the break in the pattern. The one they couldn’t copy. Because he’d already died once. And come back wrong.

Lena stepped into the chamber and froze. Nine figures circled the center—each one a version of Ryker, flickering in and out of shadow like ghosts trapped between moments. And in the center, bound by something deeper than rope or chains, sat the real Ryker. His eyes found hers, wide and terrified—but not for himself.

“For God’s sake, don’t step inside the circle!” he shouted. She stopped. Too late.

The moment her foot crossed the etched groove in the stone floor, the air pulsed, and the spiral above them glowed brighter. The chamber shifted—stone groaned, not as if crumbling, but like it was awakening. The thing wearing Ryker’s face turned toward her. Perfect. Hollow. Infinite.

“You shouldn’t have come, Lena.” She raised her pistol, hands trembling.

“I came for him.” It smiled—his smile, but warped at the edges.

“You came for what’s left of him. But the Echo doesn’t break. It completes. It reflects. He’s already halfway gone.”

The other versions began to chant again. Low, rhythmic. The walls responded, light pulsing with each syllable. Ryker strained against the invisible weight keeping him in the chair. “Lena—it’s not just trying to be me. It’s trying to replace everything I ever was. The murders were the setup. I’m the finale.”

Lena took a step closer, crossing the second circle in the pattern. Her flashlight buzzed and died. Darkness closed in. Only the spiral remained lit—burning now. Growing. The Echo moved toward her. “You can’t stop it. But you can join him. Be the Tenth. Complete the new spiral.”

Lena’s mind screamed at her to run. But instead, she turned the gun—not on the Echo, but on Ryker.

“Tell me something only you would know,” she demanded, voice cracking.

Ryker’s eyes burned. “First time we met, you thought I was a media plant. Said no real cop had shoes that clean.” Tears welled in her eyes.

“Second time?” she whispered.

“You loaned me a pen. I never gave it back. It’s still in my desk.” That was enough. She fired—not at Ryker, but at the chair. The bullet struck the wood near his foot—and something screamed. Not a voice. A force. The circle erupted in a blast of heatless light. The chant faltered. The Echo stumbled backward, flickering like a failing signal.

Lena rushed forward, grabbed Ryker’s arm, and pulled. The chamber fought her. The floor cracked. Spirals twisted upward from the stone like vines. The other versions began to convulse, faces collapsing in on themselves.

“You don’t belong here,” she growled. “You never did.” Ryker grabbed her hand—finally able to move. They ran.

Behind them, the chamber collapsed inward, the spiral shattering, the echoes screaming. As they passed the threshold of the outer circle, a final pulse slammed through the space—and the chair exploded in a blast of darkness and light, like two realities colliding. The gate behind them slammed shut. Silence.

They emerged into the night. Covered in dust and blood, gasping for air. Sirens wailed somewhere distant, but the city felt… still. Like something had passed over it and moved on. Ryker collapsed against a wall, hands shaking. Lena knelt beside him, breathing hard.

“It’s over,” she said. But Ryker didn’t answer right away. He was staring at his hands. At his reflection in a broken piece of glass nearby. Then he whispered, “Not for me.”

Two days later, Ryker sat on the roof of the precinct, watching the sunrise paint the sky in beautifully rich hues of violet and gold. Lena found him there, wrapped in his thoughts, nursing a paper cup of black coffee. She sat beside him.

“They’re calling it a gas leak,” she said. “The whole chamber collapsed into itself. City engineers are baffled.”

He nodded. “Let them be.” She studied his face.

“You’re still hearing them, aren’t you?” He didn’t answer, but she saw it in his eyes. The spiral had broken. But some things—some truths—stay.

“They’re not inside me,” he said finally. “But they left something behind. Like echoes. I close my eyes and I see them. Feel them.”

She looked down. “You saved people, Ryker. Whatever they wanted, whatever they were trying to become—you stopped it. You broke the cycle.” He gave a small, sad smile.

“But I think they needed me to.”

She frowned. “What do you mean?” He turned to her, voice quiet.

“I was the break in the pattern. The flaw. They couldn’t complete the ritual with me because… I was never whole to begin with.” Her brow furrowed.

“The drowning. Years ago. When I was seventeen. I died, Lena. Just for a minute. Cold water. Silence. And something else.” His hands trembled.

“I think they touched me then. Marked me. But it made me… incompatible. A broken mirror.” She reached over and gripped his hand.

“Maybe you were the break. Or maybe you were the only one strong enough to refuse what they offered.” He looked at her.

“Do you think I’m still me?” She didn’t hesitate. “I know you are. You’re the version that walked out.” They sat in silence for a while, watching the city stir awake. He reached into his coat and handed her a pen—her pen. She laughed softly, tears in her eyes. “Took you long enough.”

“You earned it,” he said. “You came back for me. Pulled me out of the spiral.” She squeezed his hand once more, then stood.

“Time to get back to work. There’s a lot of city left.” He watched her go. Then looked down at the journal in his lap—burned around the edges, many pages unreadable. But one page remained legible. The final page.

The Echo breaks when the chosen refuses their reflection. But every mirror cracks differently. And sometimes, the cracks are where the light gets in.

Ryker closed the journal, tucked it beneath his coat, and faced the sun. Whatever came next, he would meet it head on. Alone, if he had to. But awake.

Peter Pan Vs. Captain Hook (aka The Eternal Struggle)

Good evening world! I hope this blog finds you in good health and even better spirits. If I haven’t said it previously, Happy New Year! Aren’t you happy that all that Mayan apocalypse talk was just a bunch of bull? I know I am, I got things to do in 2013. I know you’re probably looking at the title and wondering, “What in the world is this fool gonna talk about today?” Well, lets not waste anymore time and get right into it.

As I sit here on this dreary Wednesday in Georgia, I feel at conflict with myself. Those that know me, and I mean truly know me, know that I struggle with the Peter Pan Syndrome. If you don’t know what the Peter Pan Syndrome is, that’s what Wikipedia is for. I feel like I’ve said that before, but I digress. Now while I’m not a full-blown, Michael Jackson-esque man-child, I do have my moments where being an adult is just not what’s up. But then again, I think we’re all prone to those gaps in maturity at times. I just think mine are more pronounced, or they tend to last longer. So maybe the real gaps are when I chose to be mature and do what is necessary instead of what I want. Either way.

I think the reason why I’m so wrapped up in my Peter Pan lifestyle is because I have no real responsibilities. I have no children, no other life that I’m responsible for. No connections to others that would keep me from floating off with the slightest breeze. Enter our villain (read: hero), Captain Hook. Now, I know the image that comes to mind when you think of Captain Hook is nowhere near heroic. But, trust me, he’s the embodiment of everything that is good when it pertains to this story. Captain Hook represents the part of me that wants to become a real life grown up. That part that wants to settle down (not settle, that’s that s*** we just don’t do), get married, have some kids, establish some roots. So the next time the wind blows, I don’t feel the urge to float away.

Its funny to me to describe it like this. Because to you, these are just words on a screen. But to me, this is an epic battle. I can visualize Peter Pan, in a green graphic tee and some True Religion jeans (you weren’t expecting tights, were you?), doing battle with an Armani suit-clad Captain Hook. I wish I was an artist, I would put the image on canvas. Maybe I’ll see if I can find somebody to do it for me, sounds like an interesting piece to hang in my living room one day.

Well, that’s all I have today. So until next time, peace and love…